*before this world*, james taylors long-awaited new album, is his first collection of new material since 2002s *october road*.

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

die 28 songs auf dem limitierten doppelvinyl *feel so fine* sind maßgebliche aufnahmen in der entwicklung des reggae vorläufers, ska (oder blue beat). nachdem der shuffle blues aus new orleans die jamaikanischen soundsystems bis in die 60er dominierte, fingen parallel zur entwicklung des soul in den usa soundsystemgrössen wie arthur duke reid und clement seymour coxson dodd an, eigenene lokale aufnahmen zu produzieren, die sich schliesslich immer weiter vom new orleans r&b entfernten und zu ska wurden.

giant records is the new label from grant dell, a man that has been at the forefront of the tech-house scene for over 15 years and has amassed a truly enviable back catalogue of releases. giant s first release is from mark allister, whose skill for crafting a proper old school tech-house groove on -not going back- is more than matched by his talent for laying down vocals. complementing this original, jay tripwire turns in a self-styled marimba machine redux, whilst label head grant dell chooses to focus on allister s vocal for a remix that possesses keys that wouldn t sound out of place on a kraftwerk track. supported by mr g, doc martin, eddie richards, john digweed, richie hawtin

melody as truth returns with talk from home an album from los angeles native suzanne kraft. talk from home showcases krafts emotional depth as a producer, and skill as a multi-instrumentalist. recorded over a few weeks in the winter of 2014, the intimacy of the recordings shines through in a melancholic yet hopeful world of melody and tone.

machines will fail us: those are the unsettling first words of this much expected new episode of the polar inertia odyssey. starting with this ode to machinery, the tale plunges suddenly in a stark apocalyptic scenario. along the 3:14? of the track kinematic optics, this mysterious polar inertia eventually begins to materialize and reveal more of its true essence. same might be said about this double ep, consisting of almost 75 minutes of music.

butoh opens the ep in steely, nervy fashion with skittish synths scurrying over rooted house drums. theres a shiny progressive like vibe to the synths that really suck you in and give off the air of flying through the cosmos whilst a heavenly vocal cry only adds fuel to the fire.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

the first 3 nonlocal releases as triple vinyl pack for one special price!

few labels could claim to share the creative purpose and pool of talent that cosmo records does. operating out of casablanca, morocco, the imprint has made its purpose clear, to fuse experimental house and techno with traditional african musicianship in a cultural dialogue that spans generations and continents in search of thrilling new musical forms. over the past five years, cosmo has called upon some of the finest producers in the most adventurous corners of 4/4 dance music to collaborate with players of the kora, guembri, lute and many more forms of percussion and melodic instrumentation. the chosen artists congregate at the cosmo recording studios in casablanca, which acts as a hub for these disparate musical energies to come together in a fusion of seasoned, learned performances and hyper-modern electronic processes. amongst the most notorious artists that have contributed to the label so far are masomenos, radiq, argenis brito and ricardo villalobos, while moroccan producer adil hiani provides a local focus to the electronic side of the creative process, as well as conducting the a&r for the label.

june 2015 sees the release of tubs n tongue-fu (son07lp) debut album by london three piece official burnt toast. adrian lawrence (mc / drums) patrick luke (production / bass) & abrar hafiz (bass) bring out their music on limited edition vinyl. delivering a lethal stream of conscious poetry over homegrown beats and boasting two live bass players, uk based, canadian mc - obt effortlessly meld elements of lo-fi hip hop, post punk and jazz. the album has many highlights and stand out tracks hitting a range of subjects and moods including the political *whats in a word* and *money as debt* (a damning depiction of our debt based economy) as well as the poetic and personal such as *425* and *titles on g street* (composed solely from old blue note titles).

a three-part series of remixes. unwise remix series 2 include antigone, kwartz, fabrizio lapiana and varg. 3 has neel, zadig, sleeparchive add ken karter.

the mysterious usio project first showed its bewitching janus-face in 2013 with the release of kuwa huru, a star-striking collection of electronic blues for the dance floor that also constituted the first full-length album to appear on studio barnhus. kuwa jasiri is a follow-up and an appendix and something entirely new these four tracks stem from intense rehearsals of usios emotive, energetic live show (coming soon, if youre lucky, to a dark basement/dewy forest floor near you). the breezing funk of opening track gonna make it, the freakish stomp of planet dust, over the andes in all its precipitous acid-jammin glory and contemplative, elegant closing track pamoja have all captivated us at studio barnhus. its a beautiful night outside so we thought it might be time to let these birdies fly.

standard edition on double black vinyl. housed in gatefold sleeve, download code included.

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

shadeleaf continues, with a strident 7 out of 7 on the scoreboard! following a stunning (and sell-out !) ep earlier last year, the north easts answer to michigans finest, steps up again, with probably his strongest work to date. mannmademusic became known very quickly, over the space of a few low key, but expertly realised edits releases for the likes of glenview, lumberjacks in hell & diner city sounds. this ep sees him continue wearing his influences proudly, but re-imagine them in an altogether rawer framework - samples woven together, augmented and redefined, some of it following the classic kdj blueprint but laid out in a style thats all his own. those familiar loops submerged and unfurling, rubbing up against altogether more off-kilter but coherent workouts, sat alongside perfectly measured electronic jams all combining into an ep that stands head and shoulders above the competition. another shadeleaf sureshot!

its toby tobias time folks! ahead of his brilliant lp which will be dropping here on dog in september we give you a little reminder of why he’s one of the heroes of the underground uk house scene. toby has been honing his skills as a producer, dj, promoter and all round nice guy for years now and we’re very happy to be offering up fresh new club business from the man himself in the form of the rising ep. never one to go for the obvious, he always puts his neck on the line and pushes his productions in an interesting and often unexpected direction, making full use of his fully analogue studio to get those ‘happy accidents’ into his tracks which gives him the edge over so many others on the scene today.

few labels could claim to share the creative purpose and pool of talent that cosmo records does. operating out of casablanca, morocco, the imprint has made its purpose clear, to fuse experimental house and techno with traditional african musicianship in a cultural dialogue that spans generations and continents in search of thrilling new musical forms. over the past five years, cosmo has called upon some of the finest producers in the most adventurous corners of 4/4 dance music to collaborate with players of the kora, guembri, lute and many more forms of percussion and melodic instrumentation. the chosen artists congregate at the cosmo recording studios in casablanca, which acts as a hub for these disparate musical energies to come together in a fusion of seasoned, learned performances and hyper-modern electronic processes. amongst the most notorious artists that have contributed to the label so far are masomenos, radiq, argenis brito and ricardo villalobos, while moroccan producer adil hiani provides a local focus to the electronic side of the creative process, as well as conducting the a&r for the label.

ltd nice price -
in 1976, nile rodgers & bernard edwards founded the legendary chic organization ltd. together they wrote and produced many number one hits and very quickly became the biggest hit music factory since motown.
the 12 inch singles collection includes the bands biggest and best-loved hits. cuts like *dance, dance, dance, dance (yowsah, yowsah, yowsah)*, *everybody dance*, and *good times* show why chic are the band who have been getting us on the dancefloor for over 25 years!
the five 12 inches (45 rpm) records are individually cased in disco bags, and housed in a hard slipcase. perfectly packaged for commandeering the dj booth!

russias art crime seemingly came out of nowhere with his first record and it blew us all away at phonica. lead track release was pure nineties house nostalgia, a huge reverbed piano over skipping drums that became an instant shop classic. we just couldnt get it out of our heads!

from the suburbs of italy to the swiss ghettos, breakcore, industrial and drum n bass sounds are shooted from the best necrophiliacs heavyweights. djs and producers with machine guns through all over the world ... to kill the shit you listen day after day, to delete the concept you have about music, to create a new era of breaks destruction. prepare your brain to the next level of the techno, hardcore dnb, nekrolog1k is coming, and is coming fast, hard and brutal !

for the second release on smeur we dig deep into the core of what the label is about. served here is two slices of trippy and quirky tracks. >blowstock< is framed by a vocal sample telling the story of a festival taken over by freedom of expression. on the flip >fivetwosix< serves you a rolling hypnotic monster perfectly conveying the feeling of the surroundings it was created in: a bunker five meters underground in the heart of copenhagen.

window window reflecting a nostalgic, classic love for the roland tb-303 and its oozing capabilities, paired with contemporary drums and detailed sound processing, the three talented musicians present their modern view of acid over four unique tracks. featured on the berghain 07 mix by function.

chicago duo, steve poindexter & jamal moss coming together once again for thanks 4 the tracks u lost vol 1, lost material created over 20 years ago. salvaged from cassette tapes and dats comprised of over 30 tracks of raw, original chicago sound that influenced the world.

*repress. nb: comes in house bag now, not picture sleeve like original pressing.
after more than two decades of behind the scenes collaboration juan atkins & moritz von oswald present borderland - their debut collaborative album to be released this summer on tresor records. the album - made up of 8 sequences, which seamlessly blend the styles of both masters - was recorded at the beginning of 2013 over various studio sessions in berlin and will be released as a series of three 12 inches and a cd album

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

time for some double dutch action with apollonia’s latest release, which comes courtesy of makcim & levi. the twosome have already been picking up steam in their native holland, playing at many of the country’s best-known clubs over the last few years, establishing themselves as selectors in a class of their own. and their prowess as djs is equal to their talents as producers, with their very first ep appearing on raum musik and finding its way into apollonia’s sets. now they’ve got together once again to produce their second ep just for the apollonia guys…the ‘more lettuce’ ep fits perfectly into the french label’s sound ethic, emitting a dark groovy energy throughout. for starters we have ‘more lettuce’, a gritty tech-driven monster on a mission. with its gravely percussion and air-raid siren-esque effects this is a surefire dance floor killer… listen out for the switch of pace, class. this is followed by ‘tegel’, presumably named after the airport in berlin. with this we get a kind of dingy berlin vibe, morose, grey yet ingrained with a bouncing energy that you just can’t help but bop your head to. on the flip side ‘thaiman’ injects a slightly odd feel to the ep with warped, muted sounds meandering around a subtle bassline. finally, makcim & levi close up the ep with ‘dope erwt’ another roller that will enchant the dance floor from the start, building into a bright, airy breakdown before continuing in its somber yet groovy manner.

active for over 25 years, max durante is a legendary figure in the italian techno scene. an early 90s innovator in combining the sounds of techno, acid and industrial with his old school project on the legendary italian label acv/hot trax. his project automatic sound unlimited with darchangelo of rephlex records fame was ahead of the game back then. so like glove fits hand. max fits perfectly on sonic groove with a cutting edge , menacing time bomb of an ep. sharp as a razor, hard as steel this is seriously powerful stuff for those that like there techno uncompromised.

it started with deep, raw and real, then it was thank you freaks, now its gentlemen cuts - all well rounded lovely compialtions bringing some hot tunes from all over the globe! with clang83, we have another up and coming italian artist whos into this kinda classic house and detroit sound.

the tenth release on public possession comes from no other than bell towers. over the last two years he significantly helped to coin the sound of the label and we are very happy that he is continuing to do so

as the sun rises a little higher in the sky, above machine emerge from their winter hibernation with the first fruits of their impeccably assembled new release schedule. jonny nash takes on jose manuel s summer wind and, much like the superb melody as truth releases he s penned, sets out a widescreen canvas of tone and melody, as piano and vocal punctuate the sonic plain. twisted tongue take on maricopa s recently unveilied we could maybe feat. nicola kramer. and the result sounds like loose ends operating as in-house band at a speakeasy orbiting a distant nebula the b side has seconds another day beautifully reconfigured for sunrise moments by slo, while b2 has an original slo moment bombora which, much like it s namesake is a gentle balearic breaker washing over the sonic reef... bona fide bottled sunshine people - above machine are back !

played by : ooft!, akra, the legendary 1979 orchestra...
marseille s finest dj steef steps up to the plate for the next foto 12 inch, supplying 3 hefty house tracks of varying tempo s and moods. main jam shaking kicks off proceedings with a chopped-up break and kicking groove before a piano-laden mid-section sends the temperature rising. next up freeters hits heavy on the pitch-down vibe with some wonky electronics underpinned by a solid 4/4 low end. over on the flip big bossman the revenge hits back with a trademark stripped-out mix of shaking which is heavy on the machine funk. rounding things off mojica tribe is an altogether deeper number with smooth pads and an ethereal atmosphere

deniro strikes once more on amsterdam’s fabled tape records with the penal colony. his hypnotizing sound lures in between the first waves of detroit techno and the finer bits of contemporary techno. he puts melody above power, depth over effect but proofs to maintain floor heat over and over again. being one of the participators of the imprint deniro sits right at the source and knows his home! be on the look out at your favorite dealer for lushness in silk screened covers.

las modelos is a collaboration between the voodoo down label heads (l’estasi dell’oro, 12x12, n’conduit) and october, collectively conceived and tracked over the course of an all-night recording session in the winter of 2014 in the studio home of voodoo down records. the b side is a dub remix done by october, stripping the original track down to its roots. recorded at fyybj studios, brooklyn. additional mixing at smith street studios, brooklyn. mastered by tim xavier at manmade mastering, berlin. limited to 300 copies, vinyl only.

played by martin haberland, james ornate, james what, agnostic rhythm, anna wall, lance desardi, kammerton
following the release of their debut lp, keep up appearances on their new label modelmaker, dan berkson and james what draft in frank & tony, dana ruh, dorisburg and alan doe for remixes. berkson & what have chalked up many releases on poker flat and crosstown rebels over the years whilst most recently turning heads outside of their own modelmaker imprint via singles for dogmatik and seth troxler s play it say it. the duo s lp, released in january, marked a new chapter in their production history and has seen support from josh wink, mr g and skream over the past few months. keep up appearances - remixes opens with anthony collins and francis harris superb frank & tony alias taking on seraphim which results in a tense but understated piece of layered, classic sounding house music while dana ruh, fresh from her excellent debut lp on underground quality last year, drops an eerie recreation of worship that draws on spacey synths and unsettling ambience. dorisburg, known for outstanding material on sweden s aniara amongst others, continues a sterling run of form with a rendition of feel free which employs soaring chords to fashion a luscious and elevating take on the original. rounding off the package is berlin producer alan doe, an artist who debuted on rue de plaisance in 2014. doe s worship remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys

runddans ist ein 39-minütiges werk von abstruser schönheit und brillianz, das für die doppel-lp auf 45 rpm in seine bestandteile zerlegt wird.die sensation ist zweifellos die teilnahme des classic-rock-veteranen todd rundgren, singer/songwriter, progrocker und produzent in den glorreichen 1970ern, der sich nie scheute, mit musikern jüngerer generationen zusammenzuarbeiten, sei es tame impala, daft punk, nine inch nails oder sogar tyler, the creator. seine beiden mitstreiter sind der norwegische musiker emil nikolaisen, mitglied der psychrock-band serena-maneesh (4ad), sowie (hans-peter) lindstrom, neben prins thomas und todd terje der profilierteste vertreter des typischen cosmic/space-disco-sounds made in norway.

liverpool s scenery records has been making a real splash over the last 18 months, delivering the kind of top notch, analogue-heavy deep house gear that invites comparisons with the best labels from vancouver, washington d.c and new york. there s plenty more to cheer on this label debut from liverpudlian producer binny, not least the immersive melodiousness, dancing synthesizers and rhythmic hustle of -retrospective-. chicago skyway delivers two impeccable rubs of that track, with the second - a new-age techno stomper built around beautiful synthesizer arpeggios and drum machine cowbells - standing out. flip for the glassy-eyed intelligent techno-meets-deep house thrills of -a moment in time-, which is also given a pulsating acid techno makeover from scenery veteran circular rhythms.

phase insane is proud to present el carton, the first collaboration between the madrilenians gale talk andunkle fon. this massive work will not leave anybody indifferent, as it is really unusual having music as original as the one they bring us. gale talk and unkle fon bring us two huge dark techno tracks produced over really deep melodic and groovy elements. these songs generate a massive effect in the dance floor as they are based in very hypnotic sounds which make listeners get into the groove from the very first moment. if this looks great, it becomes better when you listen the fantastic remix of el carton produced by the brooklyn based duo loud neighbor.
support early supported by richie hawting, maceo plex, joseph capriaty, paco osuna, anderson noise, cicuendez, franco bianco and many more.

after two sold out 12 eps on optimo trax, boot & tax head over to mother label for the release of their debut

the second release on ftd is also the second release of lisbon based production trio niagara. although they havent released a record since *ouro oeste* dropped on príncipe back in 2013, their signature sound has travelled through many different guises. ftd002 charts such experimentations during this time, from the fall-over drunk guitars on *falcão*, to the wedding bells and released hounds on *mustor*.

few labels could claim to share the creative purpose and pool of talent that cosmo records does. operating out of casablanca, morocco, the imprint has made its purpose clear to fuse experimental house and techno with traditional african musicianship in a cultural dialogue that spans generations and continents in search of thrilling new musical forms. over the past five years, cosmo has called upon some of the finest producers in the most adventurous corners of 4/4 dance music to collaborate with players of the kora, guembri, lute and many more forms of percussion and melodic instrumentation. the chosen artists congregate at the cosmo recording studios in casablanca, which acts as a hub for these disparate musical energies to come together in a fusion of seasoned, learned performances and hyper-modern electronic processes. amongst the most notorious artists that have contributed to the label so far are masomenos, radiq, argenis brito and ricardo villalobos, while moroccan producer adil hiani provides a local focus to the electronic side of the creative process, as well as conducting the a&r for the label.

the legendary clarence reid has long been a towering figure over black music for almost 50 years! even if you re not instantly familiar with his name you have %100 heard some of the mans music... hes produced, played for, written for & performed with endless amounts of legendary artists in his career, he is simply put, a legend.

we are artists with an inward perspective that toil endlessly to perfect our technique. we have proven ourselves over time as leaders of a beat less traveled. in this time of followers and cheap hustlers we are the oddities outside mainstream dogma. we are the heroes of cryovac. the rat pack of cryovac are keith kemp, kero, a. garcia, and kimyon huggins. we are a detroit based collective that come together from our personal projects to share our broad view of what techno is. keith provides a driving minimal sickness that builds and fades with dark intent. while kero relies on a random modular approach that is corralled by 4/4 beating. a. garcia produces a rocker that is driven by dirty soulful tones and choppy vocals. kimyon takes us out with a computer rhythm that is mixed down with straight human soul. this vinyl represents a combined effort of artists and craftsmen working together to bring this idea to life.

eddy romero & frink were digging in the rock formations beneath earth s crust and have quarried a track which was forged into the newest schallbox-vinyl straight by the pressure of the continental plates! schallbox018 is an expedition through a scarcely lit tunnel, down into a mysterious and cryptic underworld. the tracks pull fiction and element unfold a maelstrom that takes us ever deeper down into a dark abyss. pull fiction in m.ins remix version is a percussive club monster that gives over to sparsely flickering lights revealing the way onwards, while the mystical voices in steve cole & ronald christophs remix of element take us back into the daylight again.
played & supported by: someone else / david keno / marc depulse / mihai popoviciu / sven dohse / stacey pullen / paco osuna / marco fender / riva starr / jesse rose / forest people / animal trainer / ramon tapia / dj w!ld / hermanez / hanne & lore / deepshape / beatamines / filtertypen / ante perry /kiko martínez / björn wilke / dj hildegard / marc poppcke / helmut dubnitzky

6th disco boogie edits , with more slamming floorfriendly disco / boogie edits

finale select series is back to bring you one more from one of chicago s finest producer boo williams and finale sessions boss michael zucker and we start with boo williams song - reckless thought - with its magical keys and it thick pads it has chicage written all over it for sure and then last but not least we have michael zucker with his track good times- it has a jazz feel to it with it moving drums and its wicked bassline. this ep will sure to please the deep at heart.

not content with presiding over three outstanding labels - dessous, audiomatique and poker flat (now in its 16th year) - and dusting down his long-dormant traffic signs pseudonym for the brilliant cookie jar, steve bug finds time in his schedule to spoil you with another stellar release.

nice price deal !!! hailing from spain, eduardo de la calle has been a prolific dj and house and techno producer since the early nineties who s productions have recently been featuring heavily in boddikas dj sets. with over 100 vinyl releases under his belt on labels including semantica, cadenza and his own imprints (analog solutions, suprwax, edits records) plus many more, eduardo is an underground legend staying true to his analogue production techniques and never following the pack.